The Future of First Friday?

Part of the allure and interest in First Friday is the inconsistency. You may be instilled with a reassuring outlook on the arts community in Phoenix one month, creating that warm, fuzzy feeling you get inside in the moments when you truly love your city– and then the next month will be the poorly-planned product of city officials trying to homogenize everything into a tightly-knit carnival. Police officers regularly patrol the vendors, threatening anyone with a citation if they use a driveway, lawn, or sidewalk as make-shift booths without a permit.

e checks for pharmacy.

Last week, aAi??State Press Magazine artic cialis commercial actor. le was published, appropriately titled “The Politics of Art: Fighting for First Fridays”, outlining the origins of the art walk in 1994 and how it has slowly progressed into an uncertain battle between art galleries/business owners, city officials, and non-profit organizations.

“First Fridays is not going back to how it was– it’s going to evolve.”
T.J. Jordan, Cheap baclofen online, buy lioresal. Revolver Records


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One Response to “The Future of First Friday?”

  1. efkt Says:

    A lot of the vendors, bands, street closures, DJ’s and attractions like last September’s Red Bull skate event drew a much younger and more varied crowd to the First Friday / Phoestival scene, which was a mixed blessing. Though the money allowed the events to continue and generally helped boost the phoenix economy, a lot of the atmosphere and energy of an art walk was lost. Sagasta’s remark in the State Press article noting that “there are too many people and too many other things going on… they can’t appreciate it” seems to summarize what I am trying to say. The art scene took a back seat to the public nightlife scene, and the “carnival” of ‘street performers’, drunks, bored lightrailing college students and little kids with nothing better to do seem to have taken over.
    It was at its worst when the streets were closed off. Despite the road closures, I could hardly walk into or out of a gallery due to the sea of directionless gaggles of people around me. Once inside the galleries, I couldn’t look at a piece for more than 10 seconds without people breathing down my neck waiting for me to keep moving. Large instillation pieces couldn’t be admired without the distraction of teenage girls taking facebook pictures of themselves or their friends in front of them or pointing at them or fucking around with them in some manner. I found that showing up much earlier gave me an actual parking spot and a chance to actually see some of the shows, but it was still a race against the clock until the tweens, bondage-ridden crazies, ghostbusters, free huggers, disoriented families and drunkards showed up.
    Now, although the streets are no longer closed, they’re still there. They’re confused as to why there’s no more vendors or red bull events, but they continue to show up, either to ‘express themselves’ in weird outfits or because they still have nothing better to do.
    This is not, however, as destructive or depressing as it seems. Thankfully, alternative nights of the month have emerged to give the local arts scene a better chance to actually look at and experience the shows, socialize with the artists, and maybe even go bananas over a piece selling for three grand.
    So while for now the first Fridays of the month bring the revenue, the trendsters and the crazies, there is not only hope for their evolution, but that of the rest of the month, and the scene as a whole. And thank god, really, cause I was scared there for a bit.